Stereoactive

Notes

While working on Stereoactive I was inspired by the Webernian orchestration and its mosaic-like treatment of timbre. Fast shifting of colours serves as a focal point in the piece as I explore further the idea of movement by creating actively moving rhythmic patterns and layers.

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The doubling of instruments as well as the similarity in their simultaneously sounding material creates a kind of acoustic stereo effect thus blurring the individuality of the instruments and creating a unity.